Scotch Verdict Archives ~ Fixed Gaze Films

My screenplay’s in the news. Or rather, its main theme is.

One of my favorite journalists, Sarah Lyall of The New York Times, published an interesting piece today on primogeniture in Britain. Here’s the link to her article, “Son and Heir? In Britain, Daughters Cry No Fair.”

She leads in with DOWNTON ABBEY, but she could just as well have led in with Tabou. If only my novel cycle were a hit TV series!

Primogeniture is the fusty old legal rule of sole male inheritance of titles, property and chattel in the paternal bloodline. Primogeniture is the reason Vita Sackville-West never inherited Knole. It’s the reason Lily de Gramont wasn’t a prince like her grandfather–or at least a duke, like all the other men in her family. And it’s the reason why I’d never be a controlling owner of my own family business in the UK, because I’m adopted.

Primogeniture: proof that consistency is the last refuge of the unimaginative.

–After an epigram from Oscar Wilde

Well, It’s alive and well in England, but in Scotland, at least a portion of the estate must be left to all legitimate children born in wedlock.

And why care? Because the rot of primogeniture is at the core of my ghost story, SCOTCH VERDICT, nominated for best unproduced screenplay next month at the Madrid International Film Festival. It’s a very sexy Napoleonic mystery set in Bombay 1796 and Edinburgh 1811, based on a true trial story. With a shocking twist that will knock your socks off. If and when it’s produced, that is.

The award winner will be announced July 6^th. Come join me and my fellow screenwriters for a great evening of film and laurels and libations in Madrid.

Meanwhile, check out the poster by the talented British-born, Hollywood-based production designer, Robert de Vico, who’s creating the visual treatment. Talk about a thriving imagination! So lucky to have him on my team…

Ever wondered if Tabou might be the next DOWNTON ABBEY? If SCOTCH VERDICT is the next CRYING GAME?

Let’s find out. Next stop: Madrid.

Suzanne Stroh

With a feature film produced in 2012, award-winning screenwriter Suzanne Stroh’s period drama Scotch Verdict is in development at London’s Royal Academy of Dramatic Art. Suzanne hails from Michigan, where her family brewed Stroh’s beer for five generations. She lives with her family in the Virginia countryside.

—————an INK BARROW dispatch—————-

Here’s the first of many dispatches by our fearless reporter and social observer, Ink Barrow, the wayward niece of Ed Coaster.

On a gorgeous October day in the Virginia countryside, Ink sat on the porch with Suzanne Stroh, screenwriter of OKA!, the African feature film that opens October 14th in New York and Los Angeles.

Ink: How does it feel to have your first feature in theaters?
SSS: Fantastic. It’s a dream come true for any writer.

Ink: How did you get on the project?
SSS: It grew out of my friendship with the very talented filmmaker, Lavinia Currier, who is also a poet. I think we were talking poetry and poems over drinks in New York when she mentioned her work in CAR [Central African Republic]. She was so passionate about raising awareness, through film, about the plight of the Bayaka and other endangered species in the deep forest. She had two stories in development at that point. She’d gotten pretty extensive coverage, I think, but she still wasn’t sure how to proceed. She invited me to read both screenplays. I remember thinking that somewhere deep down in both stories, each beautiful in its own way, was the tale she wanted to tell. The job, I thought, was to imbue the funny misadventure of the hapless musicologist, Larry Whitman, with the pathos and mystery of OTA BENGA, the unproduced screenplay Lavinia had written with the novelist Rikki Ducornet.